Showing posts with label Sabne Raznik. Show all posts
Showing posts with label Sabne Raznik. Show all posts

Thursday, September 4, 2025

Sabne Raznik's Poetry Translated into Chinese

Sabne Raznik's poetry has been translated into Chinese for the first time.


Her long poem "Valhalla: blue" was translated into Chinese by Yongbo Ma and published in a journal today. The goal is to eventually publish a collection of these translations.


This first translation can be read here.

Monday, June 16, 2025

Is(sue) 17 of AvantAppal(achia) is Live!

Dear Kinfolk, 

 Is(sue) 17 is live to read now! Just click the link below. 

A few things to note as this opens the submission period for Is(sue) 18: PLEASE, READ AND FOLLOW THE GUIDELINES WHEN SUBMITTING. We DO NOT accept simultaneous submissions. Please, include your state or country of current residence in a bio with your submission. And send us your weirdest, most experimental, avant-garde art, poetry, and prose. Think James Joyce and Beckett but in the 22nd century.

Thank you so much for sending in work from around the world and keeping this ezine as the foremost for the experimental in Appalachia for 9 years! This ezine reflects you and we couldn’t do it without you! 


 Sincerely,

Sabne Raznik 
Dave Sykes

Tuesday, April 15, 2025

Is(sue) 17 Deadline Reminder

Dear Kinfolk.

Here we are at the Deadline for Is(sue) 17, which is April 30, 2025. So: get your weird, wonderful, experimental poetry, art, and short stories in our inbox by then. This is your final reminder.

Thank you for making us the premier ezine in Appalachia for all things avant-garde! See you in June!

Sincerely,

Sabne Raznik 
Poetry/Art Ed(itor)

www.avantappalachia.com

Saturday, February 15, 2025

"Come Hell and High Water: Helene" Special Is(sue) Release


Dear Kinfolk,

It’s here! The “Come Hell and High Water: Helene” Special Is(sue) is live! You can view it here:https://www.avantappalachia.com/special-issues.html. This is(sue) will remain readable on the website as long as the website exists under the Special Is(sues) tab on the menu. Thank you all for your heartfelt responses and tributes to this momentous event. Ironically, I am writing you this on the day that Central Appalachia is experiencing its annual Spring floods, except this year they are exceptionally fierce. Somehow, it feels appropriate.

Submissions are still open for our regular Is(sue) 17. The deadline for that is April 30, 2025. Send us your weirdest, most fun creations! Art, poetry, and short fiction. Please, follow the guidelines as we do reject submissions that do not meet the guidelines.

We wish everyone all good things and see you in April! Thank you for being wonderful, witty, experimental, and fabulous!

Sincerely,

Sabne Raznik

Poetry/Art Ed(itor)


 

Thursday, January 2, 2025

Review of Stephen Spanoudis' "Final Orbit: Not All Ghosts Are Human: The Autobiography of Mario Ng (The Republic of Dreams)"

 


Stephen Spanoudis, Final Orbit: Not All Ghosts Are Human: The Autobiography of Mario Ng (The Republic of Dreams) (The Other Pages.org, 2021) 215 pages, fiction, $9.99 US. Order here.

I am a poet and I read mostly poetry and nonfiction. In 2023, I decided to read more fiction. I want to learn how to write better prose to write the stories my grandparents wanted me to write. Better late after their deaths than never. And there is no better way to learn how to write than to read. And it seems the world is conspiring to help make that happen: I always wanted to join a book club and that happened in 2024. What is the group interested in reading? Fiction. And in 2023, Stephen Spanoudis gifted me (out of the blue) two of his novels.

Both these novels are part of a series. Final Orbit is the 8th book but is written as a prequel to the others. This review will focus on Final Orbit. A review of the second book is forthcoming.

Final Orbit took a while to get off the ground (pun intended). You had these two incredibly determined and intelligent people overcoming underprivileged backgrounds to succeed in challenging careers (astronaut and musician, respectively). They have fulfilling lives. Everything seems to be winding down to a kind of calmer precursor to retirement and I'm wondering "but am I only halfway through the book?" And then BOOM (literally), the real story kicks off. And takes your breath away, rips your heart out, and leaves you gasping and needing to take a walk around the room a few times. You're going to need to take a minute. That's just the first drop of this roller coaster.

This book is equal parts future dystopia, science fiction, drama, romance, psychological study, and inspirational fiction, with a bone thrown to the Harry Potter in the briefest way possible, and for once the U.S. is a side character in major "historical" events. It's popular today to categorize fiction as narrowly as possible for social media tags. But it's difficult to categorize this in any way more niche than simply "fiction" because it fits so many tags at once. 

I'm tempted to say there could be maybe a little too much happening here. It's a lot to process emotionally and mentally for an average reader. It's definitely written for an intelligent, quick-thinking type who will be mindful to shepherd themselves kindly through the emotional ups and downs. But there are valuable nuggets of wisdom one can carry forward into the real world as well.

Tuesday, November 19, 2024

Kevin Kiely Reviews "Faller"

New review for "Faller" avalaible free on www.sabneraznik.com

"Faller" by Sabne Raznik 

These fictional poems from Raznik come with a ‘trigger warning’ 20 years after the 9/11 Twin Towers Tragedy in New York. The Photo of “The Falling Man” is referenced along with those of the others who died. Raznik says ‘I borrowed a word from the sport of steeplechasing, one that I feel is more accurate, fully inclusive, and carries no stigma: Fallers.’ 

Her hyper-delicate, hyper-sensitized material is red flagged thus: ‘Nor is it meant to cause pain to anyone who lost loved ones that day. Nor is it meant to trigger anyone who battles depression and suicidal ideation’ […] ‘this book is a personal psychological purging.’ Impossible to not engage in some give-away of content within FALLER by sampling lines at random. There is anonymity held to, in that those who are among the Faller(s) and falling 'are' in flights of time, speed, rapidity and fleeting reality which makes this a fast-forward plunge with the words, it cannot but be: language falling into or onto where? 

This depends on your own personal reading as to what place, space or time you arrive 'within' reaching the last line. Here are clusters of word-scape that fell out as this review aspect-wheeled through the lines of Sabne Raznik in FALLER. 

The urgent poems are stark as in: 

‘I remember reading in school about
The Triangle Shirtwaist Factory Fire, 
How some jumped to their death 
Rather than burn since there was
 No way out.’ 

‘When I land, they’ll be precious little left 
More than an imprint in the sidewalk. 
Hope I don’t hit anyone below…’ 

‘Like we were standing inside the sun. 
So much paper around me, like snow. 
I am snow now.’ 

‘Do you remember, little brother, how we use to 
Drop water balloons off the fire escape? 
Count how long they took to fall? 
How we tried to film impact and slow down the tape? 
Our science projects? 
It’s like that.’ 

Raznik has also released a collection of artworks Renaissance: Visual Art 2005 - 2019. She founded and co-edits AvantAppal(achia) ezine and believes herself to be a supranational poet, in that she feels the arts transcend manmade boundaries. 

- Review of Sabne Raznik FALLER. © Kevin Kiely., Poet, Critic, Author; PhD (UCD) in the Patronage of Poetry at the Edward Woodberry Poetry Room, Harvard University; W. J. Fulbright Scholar in Poetry, Washington (DC); M. Phil., in Poetry, Trinity College (Dublin); Hon. Fellow in Writing., University of Iowa; Patrick Kavanagh Fellowship Award in Poetry; Bisto Award Winner. Recent Publications include: ‘Stratford-upon-Shakespeare and other Lies’ AND 'The Principles of Poetry DI + ID = Ѱ Psi' Books available on AMAZON.

Sunday, November 10, 2024

Announcing New Release: "Faller" by Sabne Raznik


A collection of poems written as if in the voice of some of the "fallers" on 9/11/2001, not from a political view, but as a way to process the collective trauma of that day and as a tribute to those lives lost.

Faller is another profound collection by Sabne Raznik. intense, emotional and surreal. "The world is beautiful/At velocity." is only the first line out of all these poems that caught my eye. it makes me stumble. the beauty of this image at the emotional terror that proceeds. moving back and forth from mundane tasks and thinking of children, to the thoughts and questions of falling. it touts your mind. it pulls you in many directions. and then the beautiful love sadness of:

I was afraid to jump alone.

The jacket of my waiter’s uniform felt
Claustrophobic
So I threw it out first.

Then a woman from Table 3
Took my hand and we jumped together

Wordlessly.

so i threw it out first. that line echos in my head. the way the jacket becomes a bird. an image of acceptance, before the calm. - john compton, my husband holds my hand because i may drift away & be lost forever in the vortex of a crowded store

In Faller, a collection of poems, Sabne Raznik makes you really feel for the people who fell from the Twin Towers on 9/11. These poems, written in the voices of those who fell, are heart-wrenching. They make you think about what you would do if faced with certain death. If you were judgemental of the people who fell, you won't be after reading these evocative poems. The voices in these poems are so realistic, it's like it actually happened to the author. She puts you in these people's shoes. I've complained about things like a fax machine on the job before, so lines like: "The coworker who complains/about the copier was/standing on her desk/ because the floor burned/through her shoes" really strike a chord in me, make me realize how miniscule and petty my office complaints are in the light of a building burning so fiercely that you have to escape, even if it means certain death. When you read these poems, there is no way you can possibly think of these fallers as suicidal. These poems have eye-opening lines: "The world is beautiful at velocity. Just colour./Like an abstract painting." You really feel the tragic quality of the situation when you experience these voices: "I quit yesterday./I'm just here to get my things." You will come away with a new perspective on having to face death after reading these sad but beautiful, evocative poems. - Lori Lasseter Hamilton, limo casket

 Available for free on Sabne Raznik's official website

Monday, November 4, 2024

Announcing "Come Hell and High Water: Helene" Special Is(sue)

 


Dear Kinfolk,

The deadline for Is(sue) 16 is closed so, if you sent in submissions for that, you should hear back from us in the next couple months on those. And Is(sue) 16 should go live on December 15, 2024.

Therefore, it is time for us to announce the “Come Hell and High Water: Helene” Special Is(sue)! This is our tribute to the before-and-after geological and emotional event that Helene proved to be for our beloved Appalachia. It is your opportunity as our Kinfolk to express your emotions around this traumatic time, and for our mountains and people, as they recover. Unlike the regular is(sues), special is(sues) live on the website for as long as the website exists, under the “Special Is(sues)” page tab on the menu. Special is(sues) have the same sub(mission) guidelines as the regular is(sues), with the exception that you must put “HELENE” in the subject line to differentiate submissions for this special is(sue) from those meant for a regular is(sue). That is vital. For this special is(sue), sub(missions) will open on Wednesday, November 6, 2024, and the deadline will be January 15, 2025. The Is(sue) will go live on February 15, 2025. We hope that this will provide a cathartic and healing space for us all.

So, by all means, send us your poetry, art, and short stories expressing yourselves experimentally and therapeutically about Helene. We’re here for you.

www.avantappalachia.com

Sincerely,

Sabne Raznik

Poetry/Art Ed(itor)

Saturday, June 15, 2024

Is(sue) 15 and New Schedule - AvantAppal(achia)


Dear Kinfolk,

Is(sue) 15 is live! There are 7 countries total and 10 states within the US represented. This includes our first contributions from Egypt and Peru.

The work chosen to be arch(ived) from Is(sue) 14 is JWM Morgan's story, Volodymyr Bilyk's art, and Joshua Martin's poem. Read it on the Arch(ive) page.

Check the Sub(missions) page. We have made our longstanding policy regarding how we arch(ive) past is(sues) even clearer so that there can be no confusion that you as the author of your work bear responsibility for keeping records of publication and not us. Also, the date of deadline for each is(sue) has changed.

Deadline for Is(sue) 16 is October 31, 2024. So send us your avant-garde and experimental poetry, art, and short stories! You make this ezine the foremost home of the Avant in Appalachia. We are special and weird because of you. Thank you!

www.avantappalachia.com

Sincerely,

Sabne Raznik
Poetry/Art Ed(itor)

 

Monday, May 27, 2024

Review of "Word Troubadours" by PJ Swift and Ellyn Maybe


PJ Swift and Ellyn Maybe, Word Troubadours (2024) 32 pages, poetry, $10.00 PDF; $15.00 Physical book. Order here.

Ellyn Maybe is a spoken word artist I first came across when she was in the Los Angeles area about 15 years ago working in a creative group centered more or less around Beyond Baroque that included the likes of Yvonne de la Vega, Ray Manzarek (formerly of the Doors), and Michael C. Ford who took Beat concepts, wrapped them in a confessional flare with a punk rock graffiti edge, and rapped them - sometimes whimsically, sometimes cooly, sometimes sing-songy - over jazzy soundtracks. This is the first of her works I have encountered as a purely on-the-page experience. This is also a collaboration with PJ Swift.

This creation is titled Word Troubadours and music is therefore an important theme throughout. Music, singing, performing, visual art - this collection is the space where poetry intersects with most other forms of artistic expression. PJ Swift presents the metaphor of poem as a Rave and Ellyn suggests that life is a Musical. I personally would argue against both concepts as being either misconceived or over-romanticised, but each to his/her own. Still, that gives you an idea of the highly unconventional, almost dreamscape of these poems. And I'm always excited by hyper-imagined, nonconventional mentalscapes in poetry.

Ellyn Maybe includes a kind of personal Odyssey with "Ellyn Maybe's Dream" where she travels to Prague - whether only in dream or also in waking life, I'm not sure - and has a transformative experience that involves a gargoyle. 

Some phrases I wrote down that stand out:

"We resist the temptation to crawl into the world/ and pull our psyches over our heads./... We need our exuberance more than our math." - "Cinema Dance" - Ellyn Maybe

"I know how men make women wear armor of all kinds" - "I Heard What Sounded Like A Song", Ellyn Maybe

"Perhaps life is like a multiple choice question my friend/ The answer's in a circle dance with no beginning or end." - "Somewhere in the Sky", Ellyn Maybe

"an era whose burdens/ have granted no choice" - "Creation of Myths" - PJ Swift

"avalanche in the bones of the land" - "Train", Ellyn Maybe

May these Word Troubadours keep on soothing our souls with their songs and stories of our time for the ages to come.


Thursday, December 28, 2023

Watch Sabne Raznik at the Wadza International Festival (Digitally) on Facebook

 


Watch Sabne Raznik read her poem "Of a Refugee" from the book "Linger to Look" (2015) at the Wadza International Festival in Morocco (digitally) at this link on Facebook.  


www.sabneraznik.com

Saturday, December 16, 2023

Is(sue) 14 is live!


Dear Kinfolk,

Dave Sykes and I are proud to announce that Is(sue) 14 of AvantAppal(achia) went live on December 15, 2023! It is one of our best is(sues). There is a lot of work from South Korea this time. But we also have poetry, art, and fiction from several U.S. states, Ukraine, and Siberia. 

We have made several changes to the submission guidelines so be sure to read those on the Sub(missions) page. These include a how-to guide to ensure photos and videos taken with an Apple device save and send as JPG files. 

The deadline for Is(sue) 15 is May 31, 2024. www.avantappalachia.com

Thank you for making this ezine the premiere home for the experimental and weird of literature in Appalachia and supporting its outreach to the world!

Sincerely,

Sabne Raznik
Poetry/Art Ed(itor)


Tuesday, October 17, 2023

2023 Wadza International Festival (Morocco) Digitally



In December, I'll be participating in the 2023 Wadza International Festival in Taourirt, Morocco, digitally. I am honoured and excited to be invited to share a poem. Watch their Facebook page for more info as to exact date, time, and place to see the reading. 

Monday, June 12, 2023

Is(sue) 13 is live!

 Dear Kinfolk,

 


It’s a beautiful day! Why? Because Is(sue) 13 is live with all of your amazing work.

 

The guidelines for Short Stories have changed, so be sure to check those out. And pop on over to the Arch(ive) to see which pieces from Is(sue) 12 were chosen for posterity.

 

I would like to remind everybody that there have always been restrictions on impolite language, gratuitious sex, political pieces, and anything holiday-themed. This absolutely applies to underage characters. I have let some impolite language slide in the past (though I have edited it), but you are encouraged to think seriously about whether certain words or actions are necessary for the story (like in “To Kill A Mockingbird”) or whether you’re merely scratching a personal itch to get more readers. Because if you’re scratching an itch, scratch it somewhere else. Thank you.

 

Also, remember that our focus is on avant-garde, experimental pieces. We are not meant for your run-of-the-mill, workshop-approved pages. Push the boundaries of what language can do, of what constitutes literature. Have fun. Surprise us.

 

The submission period for Is(sue) 14 is open! Deadline is November 30, 2023. Happy writing!

 

https://www.avantappalachia.com

 

Sincerely,

 

Sabne Raznik

Poetry/Art Ed(itor)

 

 

 

Tuesday, May 2, 2023

Introducing "Fingers/Dedos" Bilingual Selected Poems (English/Spanish) - Out Now!


 

Released yesterday and available via Amazon! "Fingers/Dedos" Selected Poems, bilingual (English/Spanish), $10.00 USD.


Sabne Raznik’s latest collection of poetry Fingers, Selected Poems / Dedos, Poemas Seleccionados contains four powerfully emotive poems (“The Bearded Prophet,” “Poetry,” “Through Our Skin,” and “Fingers”). The English original of each poem is followed by an illustration and then by a Spanish translation by María Del Castillo Sucerquia. It concludes with a photo of the author followed by a one-paragraph biography in English and then its Spanish translation. The four poems are extremely different thematically and make use of different poetic languages. The common denominator between them is an underlying existential anxiety resulting from the inability of human beings collectively to understand each other and set aside greed and self-interest, and individually, in the case of the poet, to find consummation in love, and to discover the language in words and images to capture and communicate the essence of her experience. The poet notes in “Bearded Prophet,” she finds herself in “the era of pain -stampeding pain,” one which paradoxically leads her to identify with the “dumb hillbilly,” the bearded prophet who wears a sign that says “The End of the World Is Near.” Impending doom is suggested by images of the destruction of the environment, the open gashes of Appalachian strip mines, trees stripped bear of life to a height of eight feet by herbicide, and the violent midwestern storms intensified by climate change. “Poetry,” the most abstract of the four poems, prescribes in the form of a series of commands (“arm yourself, “leave the figure,” “Virgin love grow bold” which do not lead to consummation; they prove impotent. “Through the Skin” evokes the locus of creativity, where books, and papers, paint and turpentine are present on a table along with cup and saucer, the place where the written word and the painted image are crafted. The poem leaves the reader with a sense of a purpose shared by the “us” of the poem: “to sketch an idea to live by.” The last poem “Fingers” evokes images of a painful, repeated sexual encounter described as a violation, “like cactus thorns raking down my shapeless lines,” but the violation seems not to result from the violent impulse of the other, rather from the inability of the speaking subject to make good on the promise to the self with the words “Never again, never again.” The four poems are satisfying both as individual compositions and as panels of a multi-media whole. –  Yndiana Montes Fogelquist and Jim Fogelquist, Appalachian Latinidad


Fingers/Dedos is a powerful chapbook with 4 elaborate poems in English, with the same poems being translated into Spanish. The poetry captures strong images and emotions: "You sat cross-legged in the grass/And the earth framed your face." I was pulled into these poems and transformed into a cocoon waiting to be released into something with such fingers that would "Feel the bone crack,/Grind against my teeth/As I scream [...]" and become new in the aftermath. – John Compton, the castration of a minor god and how we liberated what secrets we modified

Also, feel free to leave a review and/or stars on Amazon and Goodreads! Thank you! And enjoy!

Thursday, December 22, 2022

Is(sue) 12 of AvantAppal(achia) is Live



 Kinfolk,


Edi(tors) Sabne Raznik and David Sykes are pleased to unveil the latest is(sue) of AvantAppal(achia).
We are spotlighting submissions from The U.S., Greece, India, Ireland, Australia, France, Siberia, and Belarus; seven countries in all.
We sincerely hope you enjoy this collection of the weird and wonderful in the fields of art and writing and we hope to publish another collection, Is(sue) 13 on June 15, 2023.

www.avantappalachia.com

Enjoy,

Ed(itors) Sabne Raznik and David Sykes

Sunday, November 20, 2022

Is(sue) 12 Deadline for AvantAppal(achia) Ezine


Dear Kinfolk,

It’s nearly time for a new is(sue) to go live again. That means this is your final reminder that the deadline for submissions to Is(sue) 12 is November 30, 2022. Send us your experimental poetry, art, and short stories.

You will notice that the date for Is(sue) 12 to go live has been pushed forward a week to December 22, 2022. This is due to Sabne Raznik having scheduling conflicts that could not be resolved otherwise. This way, your submissions will get the attention they deserve.

She and Dave Sykes are thrilled to read what you send us. Please, read and follow the full guidelines at www.avantappalachia.com before sending your emails. We may not have time to inquire and may be forced to reject brilliant work which does not meet guidelines. Thank you so much. 

This is your ezine. You make it the fun, funky, fabulous frolic that it is. 

Sincerely,

Sabne Raznik
Poetry/Art Ed(itor)


 

Monday, June 20, 2022

North/South Appalachia Anthology Vol. 2 Submission Call



Call for Poetry Submissions

 From North/South Appalachia! 

 DEADLINE: July 30, 2022 

 The Watershed Journal Literary Group is joining Studio Appalachia and AvantAppal(achia) to publish a second anthology of Appalachian Poetry in the fall of 2022. 

 Watershed/AvantAppal(achia)/Studio Appalachia poets are invited to submit up to five poems for consideration by the editors Patricia Thrushart, T. Byron Kelly and Sabne Raznik. 

 You can view the first edition on Amazon. https://www.amazon.com/.../ref=cm_sw_r_awdo 

 Submission Guidelines:
 1. You must have been published in The Watershed Journal or AvantAppal(achia) previously 
 2. Previously published poems are acceptable. Please be sure to provide any credits your former publisher requires 
 3. Submit up to five original poems via email to studioappal@gmail.com along with a bio of less than 100 words 
 4. There is no fee for submission 

 If selected, your poem(s) will be published on North/South’s website and included in the printed anthology, which will be available for purchase on Amazon and at Watershed Books. 

 Send questions to studioappal@gmail.com. Learn more about North/South Appalachia at https://www.studioappalachia.com/northsouth-appalachia.html 

 We look forward to your submissions!

Thursday, June 16, 2022

Is(sue) 11 of AvantAppal(achia) is live!


 Dear Kinfolk,

 

Is(sue) 11 went live around 10 pm EDT on June 15, 2022. With this Is(sue), AvantAppal(achia) entered year 6. Thank you all very much!

 

This is(sue) features 3 countries and 12 states. Almost all of Appalachia is represented and a number of other places as well, along with Ireland and Bosnia and Herzegovina. You will also find chapter 4 of Jim Meirose’s mind-bending Beckettian novel that flips the concepts of death and resurrection on their head.

 

The submission period for Is(sue) 12 is now open. The deadline for that is November 30, 2022. We need your weird, fun, experimental poetry, art, and short stories. Please read Guidelines and follow them because the reading period is only 2 weeks, so we will now have to automatically reject any submission which does not follow the instructions.

 

Also, stay tuned for an announcement from our sister endeavor North/South Appalachia, which should be dropping into your email or on social media channels in a couple of days. Exciting, I know!

 

Until we meet again!

https://www.avantappalachia.com

 

Sincerely,

 

Sabne Raznik

Poetry/Art Ed(itor)