A Muted Blue Star Muses: Marrow

Showing posts with label Marrow. Show all posts

Wednesday, March 18, 2015

Sabne Raznik Art Now Available at Etsy.com!

Today, I have opened a new shop on Etsy. There you will find inkjet prints of the "Salome Series" and the "Wildfire Series" as well as copies of "Marrow". Eventually, I plan on designing and releasing broadsides there as well. Other artwork will become available as it is made. Sabne Raznik Art shop on Etsy.

Friday, October 17, 2014

The Reader Will Find Themselves Moved

Sabotage Reviewshas published a review of "Marrow". Matthew Halliday writes in behalf of Sabotage Reviews and describes it as: "Raw material glibly described. The reader will find themselves moved by reading the pamphlet, but not really by the poetry."

Friday, August 15, 2014

There Are Sparks of Amazement

The latest review of "Marrow" is in. I am floored that the reviews have all been positive so far! The blog NirvanicM says: "There are instances in your life, when you stumble upon amazing things and they form a part of your life. In a similar way, I came across this Art book ... The book is graciously simple, with a minimalistic layout ... There are sparks of amazement ... may not go well with the faint-hearted, but reality cannot be cushioned. ... Everyone should read this."

Read the full review.

Sunday, July 20, 2014

No Other Writing

Renee Robinson has reviewed "Marrow". She commented: "Although it may be a difficult read, it is loving, it is touching, it is truth ... The author’s heart is in every word. ... there is no other writing which can reach inside and touch you more deeply."

I am moved by the glowing reviews that "Marrow" has been receiving! Who knew that such a little book could have such power? I am privileged to be connected with it.

Read the full review.

Other reviews here and here.

Tuesday, July 15, 2014

The Best Things Come In Small Packages

John Lee has written a review of "Marrow" that completely amazed me! I am truly humbled by it. He started out by acknowledging something I suspected all along. Very few are brave enough to review "Marrow" because of the sensitivity of its subject matter. But then, he went on to say: "Raznik is an artist. ... Good writing stirs emotion and emotion is concentrated in these 15 pages. ... The best things come in small packages." Read the full review at John Lee Reviews.

Friday, July 11, 2014

"Marrow" Featured on SpicyLetter.net

Yon Walls, Senior Editor for SpicyLetter, has written a beautiful review about my little art book "Marrow" on SpicyLetter's Culture Spice section. She spoke of it as "a lovely, heartbreaking handmade chapbook" with "poems that emerge from a deep place of suffering and anguish as experienced by children with cancer and their families." She also printed the title poem. Read the entire piece here. She has graciously agreed to post a review of it on its Goodreads listing page in a few days. I will update this post when I see it. Another 4 reviews of "Marrow" are pending. Also, I am slated to be interviewed for SpicyLetter in the Autumn. Watch this space for that.

Other reviews, guest blogs, and promotions for "Marrow" since its publication to the present can be found as follows:

Field Recordings: "Sabne Raznik goes for the Marrow"

OwenSage.com: "Let's Get to the "Marrow" of the Matter" by Sabne Raznik

So, I Read This Book Today ...: "Fund Raiser For St. Jude's Hospital - 100 Copies Available!"

Other past interviews:

Pebble In The Still Waters: "Author Interview: Sabne Raznik: Poet, Writer and Member of Academy of American Poets"

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"Fingers" Broadside

A unique broadside designed and printed on January 4, 2014 for the Kentucky Association of Sexual Assault Programs (KASAP)'s The Rising Center's "No More" traveling art exhibit to raise awareness to end sexual and domestic violence. The art exhibit will travel throughout the state of Kentucky in 2015, after which the broadside will be auctioned off at the Rising Center's discretion. The broadside features the much-praised poem "Fingers" from the collection "Following Hope" (Xlibris, 2007). There is only one (1) "Fingers" Broadside in existence.

Rabbit Hole

"I want the reader to imagine a dream, a dream of the sort that is not quite a nightmare where the dreamer wakes in terror but rather a dream where the dreamer is led on from curiosity to curiosity, image to image, and, confused perhaps but no less surprised by the images, wakes with a head scratch and begins the day, thinking about the world as a much stranger place than when the reader laid down to sleep ... [In the poems where the language is more] extreme . . . the deconstruction of language . . . [mirrors] the shattered state of language today and the impossibility to understand discourse of any kind anymore. It is as if language itself is designed to disguise meaning rather than convey it.” - George Fillingham

Renaissance: Visual Art 2005 - 2019

“Renaissance” is an emotional collection of work. Sabne Raznik’s pieces present the human experience in a thought-provoking and abstract way through body shapes and delicate hues. A mix of digital and traditional media, Raznik’s work is compelling in a way that makes the viewer’s eyes want to linger - taking all the details in. The traditional drawings of the “Salome Series” capture movement and exotic femininity with only the use of line and simple shading, while mixed media pieces like “Beautiful Tatters” find beauty in the mundane or unusual, like a scrap of paper soaked in wine. Raznik’s digital paintings feel like one is looking at a human emotion depicted in soft fields of color. Raznik is well known for her written word, but is proving herself to be quite the visual storyteller as well. This body of work is an excellent addition to any collection.-- Erin Alise ConleyMixed Media Artist, Host of "Weird Appalachia" Podcast

Renaissance: Positivity Cards for an Uplifting Day

"Dreaming of Bono" (VoiceLux, 2022)

A little girl, a young lady, and a mature woman walk into a bar and order a pint of Guinness. Only the mature woman leaves. Why? Because "hope has wings" and only the mature woman has the experience enough to manipulate "the sadness in our will : the courage of noble righteous doomed, who defy and defy ... because we must, if only for those who lack the strength to fight". Because, as I told you, "she's lived more than you'll ever read". The collection is a taste of mental growth in action, weaving dreams, reality and over the top stardom into a father figure only to outgrow him in the most superlative way. A carry in your pocket lifting of burdens to peruse over and over again. Why? Because "hope" is making a ruckus to get your attention! -- Marica, Artist

Fingers/Dedos Bilingual Selected Poems (English/Spanish)

Sabne Raznik’s latest collection of poetry Fingers, Selected Poems / Dedos, Poemas Seleccionados contains four powerfully emotive poems (“The Bearded Prophet,” “Poetry,” “Through Our Skin,” and “Fingers”). The English original of each poem is followed by an illustration and then by a Spanish translation by María Del Castillo Sucerquia. It concludes with a photo of the author followed by a one-paragraph biography in English and then its Spanish translation. The four poems are extremely different thematically and make use of different poetic languages. The common denominator between them is an underlying existential anxiety resulting from the inability of human beings collectively to understand each other and set aside greed and self-interest, and individually, in the case of the poet, to find consummation in love, and to discover the language in words and images to capture and communicate the essence of her experience. The poet notes in “Bearded Prophet,” she finds herself in “the era of pain -stampeding pain,” one which paradoxically leads her to identify with the “dumb hillbilly,” the bearded prophet who wears a sign that says “The End of the World Is Near.” Impending doom is suggested by images of the destruction of the environment, the open gashes of Appalachian strip mines, trees stripped bear of life to a height of eight feet by herbicide, and the violent midwestern storms intensified by climate change. “Poetry,” the most abstract of the four poems, prescribes in the form of a series of commands (“arm yourself, “leave the figure,” “Virgin love grow bold” which do not lead to consummation; they prove impotent. “Through the Skin” evokes the locus of creativity, where books, and papers, paint and turpentine are present on a table along with cup and saucer, the place where the written word and the painted image are crafted. The poem leaves the reader with a sense of a purpose shared by the “us” of the poem: “to sketch an idea to live by.” The last poem “Fingers” evokes images of a painful, repeated sexual encounter described as a violation, “like cactus thorns raking down my shapeless lines,” but the violation seems not to result from the violent impulse of the other, rather from the inability of the speaking subject to make good on the promise to the self with the words “Never again, never again.” The four poems are satisfying both as individual compositions and as panels of a multi-media whole. – Yndiana Montes Fogelquist and Jim Fogelquist, Appalachian Latinidad Fingers/Dedos is a powerful chapbook with 4 elaborate poems in English, with the same poems being translated into Spanish. The poetry captures strong images and emotions: "You sat cross-legged in the grass/And the earth framed your face." I was pulled into these poems and transformed into a cocoon waiting to be released into something with such fingers that would "Feel the bone crack,/Grind against my teeth/As I scream [...]" and become new in the aftermath. – John Compton, the castration of a minor god and how we liberated what secrets we modified